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davidheetderks

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davidheetderks
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David
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Heetderks

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  • Dear Tim, here are a few more that I've used in classes: Schubert, "Der stürmische Morgen" from Winterreise. The second phrase, which begins at the upbeat to m. 10, is in the key of VI. Haydn, SQ Op. 74 #3, mvmt ii, mm. 23–30. The interior theme beg…
    in Looking for tonicization of VI in minor mode. Comment by David Heetderks November 2016
  • Schubert's "Gretchen am Spinnrade" is an obvious example. You might also listen to the chorus of "Watching the Wheels" (1980) by John Lennon. Beginning at 1:34 (where Lennon sings, "I really love to watch them roll"), one of the keyboards plays repe…
    in Spinning sounds Comment by David Heetderks October 2016
  • Thank you, one and all, for the helpful information. Scott, in Beethoven's violin concerto, iii, the violin moves from E-natural to E-flat before the orchestra moves to A-flat major; thus the o7 first becomes a V6/5 of A-flat before resolving. Sorry…
    in Modulation by enharmonic reinterpretation of a o7 Comment by David Heetderks October 2015
  • Hello all, A$AP Rocky's "Pain" (produced by Soufien3000) begins by alternating between Dm9/7 and Bm9/7 several times, before ending with Dm9/7–Am9/7. Tyler, the Creator's "Goblin" uses an  E5–C#dim–F5–C#min progression. It's not quite the same as ch…
    in Question about a 'rare' progression in rock music? Comment by David Heetderks October 2015