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musmac
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Hi Zac, One example that I can think of is Beethoven, Op. 109, second movement, at the return (m. 109). Not sure if anyone has written about this (though perhaps Schenker's explanatory edition might shed light on it). Best, Mark Mark Anson-Cartwrigh…
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Thank you to Ed, Rick, Nate, and Daniel for these very helpful leads, some of which I was already acquainted with. Thanks also to a couple of people who wrote to me privately. In the meantime, I wish to mention two authors who endorsed multiple appr…
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Gary, I just thought of the finale of Beethoven’s Piano Sonata, Opus 7. A bit late to share this, but a nice example nonetheless. -Mark
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I find Bach's practice most interesting in the places where the N6 (or Phrygian II) doesn't proceed to V in the "usual" way. Two examples: "Erbarme dich," measure 7. N6 proceeds to V 4/2 by way of a momentary diatonic ii 6/5 (the figured bass appear…
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Thank you, Sam, for asking this question. I use RILM to find literature in other languages besides English. But I also find books and articles of an older vintage through bibliographies in books. I believe the current climate in North American mus…
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Yes, we should. I have no comment on the interface as such. But I just searched for Wagner, and it took quite a while to find the most important person of that name, and when I got to his article I found the bibliography to be dreadfully out-of-date…
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Hear, hear! I think your point is well taken, and will garner "likes" from many of us in the theory community. I think one also has to be cognizant of the fact that the peer-review process for big conferences is a somewhat absurd one: each year, we …
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Beethoven, F-sharp major Sonata, op. 78, second movement. Starts with an augmented sixth going to V. The modulation to IV later in the opening theme counterbalances the dominant-oriented beginning.
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In keeping with the C-minor list that we've got going, see Beethoven, opus 18, no 4, first movement m. 26; finale, first episode. Also opus 111, second key of first movement. Plenty of others, I am sure...
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'Two early Beethoven examples spring to mind, both from first movements of C minor piano sonatas: opus 10, 1; opus 13. Both in the transitions.
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