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cwillner

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cwillner
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First Name
Channan
Last Name
Willner

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  • I should add that the delays I describe account for the many subordinate themes that populate this repertoire. Channan
    in New two-part study on my website Comment by Channan Willner April 2021
  • My dissertation as well as the companion articles on my website, channanwillner.com, weld traditional Schenkerian analysis to durational, narrative, and ritornello theroy (Fischer/Dreyfus), and also show why a close study of the borrowing sources is…
    in Multiple analytical approaches Comment by Channan Willner December 2019
  • In class, at least during the 70's and 80's, Carl would often play through his graphs. And Eric Wen usually plays through them during his many presentations. Channan
    in Printed discussions of performing Schenkerian graphs? Comment by Channan Willner August 2018
  • Further to my earlier comments, see also the paradigms in Suurpää, Lauri. “Continuous Exposition and Tonal Structure in Three Late Haydn Works,” Music Theory Spectrum 21/2 (Fall 1999): 174-199.
    in K. 284i Comment by Channan Willner March 2017
  • Poundie is surely right. I would only add that  there is a chromatic voice exchange within the tonic in bars 1-33, which is very common. See Eric Wen's analysis of K. 550/II in the Schachter Festchrift, and his unpublsihed conference analysis of Hay…
    in K. 284i Comment by Channan Willner February 2017