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itojp
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- John Paul
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Thanks for all of these great leads! I'll be following up individually to the kind offers to share unpublished works. I look forward to lots of good reading.
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This strikes me as a great place to apply the prototype category, with its ability to talk about some things as overwhelmingly more prevalent, entrenched, referential, etc., while leaving the door open to all kinds of unusual possibilities. So from …
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Hi Mike, If you teach your students species counterpoint, I have a step-by-step assignment to write a rounded binary form on my website that uses species counterpoint as the main jumping off point: http://www.andrew.cmu.edu/user/johnito/music_theory…
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Me too, basically, I'd go with 1- 1e 1& 1a for the sixteenth subdivisions...
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I don't teach from a textbook, and here at CMU freshmen learn about meter in eurythmics class, so I'm not worried about the level of nuance they get! That said, when I have taught meter in freshman theory, I usually start out by showing far more tha…
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Brahms's op 94 no 3, Mein Herz ist schwer, parallels Gretchen in a number of obvious ways. Many tarentellas sound like spinning, and every Viennese waltz has spinning connotations for me, but that may be more about dancing than about music. Farthe…
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If this is for teaching, may be water under the bridge, but here are a couple more examples, or related examples. Parallel to Dalla sua pace but not as good a piece, Brahms, Triumphlied, 3rd mvt, 133-134, basically same chords, modulation is D major…
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