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Late to the party as usual...
First example that came to mind: J. Brahms Symphony 3, iii. Right before the top of the c-minor theme comes back in the winds there's a several-bar arpeggiation of F#dim7 across the orchestra.
Best wishes,
In a spirit of improvisation rather than recitation, how about: "Tonality is
participatory expectation;
or learned, participatory expectation;
or learned, participatory expectation for certain [tuning system] pitch/class orders and relationships."
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